Mile-o-meter is running all the way back to the 1980s to conduct an existential Heist movie takes off his cap on the back catalogs Walter Hill, John Carpenter and Michael Mann. Made with expert aplomb, as the Danish director Nicolas Winding Refn, this piece under a cloudy sky and a narcotic Thrums LA synth-pop soundtrack, as it rises next to a rifle in Hollywood stuntman in danger. Fasten your seatbelts, it's an adventure.
Ryan Gosling shines the driver, who turns the car for a living and sometimes the lights of the moon as a refuge from man's jewel thieves and bank robbers, giving them five minutes of his time, after which they are alone . Driver soon realizes, is an American riff Samouraï solitary Jean-Pierre Melville, smiling and calm, his moral compass for the neutral. Then one day she shares a lift neighbor Irene (Carey Mulligan, playing thoughtfully), and runs a clean way. Irene is an ex-prisoner, ex-husband called quasi-Standard (Oscar Isaac), who needs to do one last job to pay his debts, and care for his family. Inevitably, the robbery goes wrong. Now, the driver has to run, take your luggage bag and drive a couple of gangsters (performed with enthusiasm by Ron Perlman and Albert Brooks), followed by another right-back.
Refn was released with the Pusher trilogy and ran wild with the Vikings of Valhalla Rising last year. Grab hard in the role of tourism confidence, soaking up the atmosphere of lethargy in Southern California. He spends his time on the road or crossing the strip-malls, stopping only for short bursts of dialogue and sudden eruptions of violence that the Cannes audience rocking and whooping cough in their seats. If the road looks familiar from a hundred other movies, whatever. Driver is probably going to hell and dive to the bottom has a defined current vertigo.
Refn film plays in the main competition at Cannes, where it is against the likes of The Tree of Life, Le Havre and the artist. You can not win, win and almost certainly should not win. Retro is well aware too of a series of new surfaces, empty, unlike a round theater with texture. In any case, B-movies like this are rarely adequate for the win. Intruders are disruptive, disreputable at the party, said the disaster and condemned to meet a bloody end. The most we can hope for is to go on a moment of glory. The reader, with bells.
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